Poject Statement

In New York City New Bauhaus, I transform architectural photographs into geometric compositions that investigate the relationship between structure, perception, and architecture.

Inspired by the visual principles of the Bauhaus and Constructivism, the series reduces recognizable buildings into arrangements of line, color, rhythm, and form.

Created from photographs made throughout New York City, these works explore architecture not only as a physical presence but also as a visual system that influences how we experience and navigate the city. Through fragmentation, repetition, and reconstruction, familiar structures are reimagined as abstract compositions that emphasize movement, balance, and spatial tension.

The series emerged from my interest in architecture, geometry, and my background in engineering, which continue to shape my artistic practice. While these works focus primarily on formal relationships and visual structure, they also laid the foundation for questions that later became central to the Broken series: how architecture carries memory, how structures change over time, and how identity is shaped through processes of disruption and reconstruction.

Viewed today, New York City New Bauhaus represents an earlier chapter in my artistic development—one in which the language of geometry and abstraction first became a tool for examining the deeper relationship between people, place, and the environments they inhabit.